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		<title><![CDATA[MKLab - ARTS AND VISUALIZATION]]></title>
		<link>https://mklab.gr/</link>
		<description><![CDATA[MKLab - https://mklab.gr]]></description>
		<pubDate>Sun, 13 Sep 2026 11:09:49 +0000</pubDate>
		<generator>MyBB</generator>
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			<title><![CDATA[Go up and down the stairs]]></title>
			<link>https://mklab.gr/showthread.php?tid=1942</link>
			<pubDate>Fri, 11 Sep 2026 22:30:42 +0300</pubDate>
			<dc:creator><![CDATA[<a href="https://mklab.gr/member.php?action=profile&uid=1">mklabgr</a>]]></dc:creator>
			<guid isPermaLink="false">https://mklab.gr/showthread.php?tid=1942</guid>
			<description><![CDATA[The GeoGebra activity <span style="font-weight: bold;" class="mycode_b">“Go up and down the stairs at the same time”</span>, created by <span style="font-weight: bold;" class="mycode_b">Daniel Mentrard</span>, is an interactive visualization focused on <span style="font-weight: bold;" class="mycode_b">geometric transformations</span>. It uses a staircase-style construction to illustrate how geometric objects can move simultaneously in opposite directions, helping learners explore ideas such as translation, symmetry, relative motion, and the relationships between corresponding positions. By manipulating the interactive elements, students can observe dynamically how transformations affect a figure, making abstract geometric concepts easier to understand through experimentation and visual reasoning. <br />
<br />
<a href="https://www.geogebra.org/m/veysvc5e" target="_blank" rel="noopener" class="mycode_url">VISUAL</a>]]></description>
			<content:encoded><![CDATA[The GeoGebra activity <span style="font-weight: bold;" class="mycode_b">“Go up and down the stairs at the same time”</span>, created by <span style="font-weight: bold;" class="mycode_b">Daniel Mentrard</span>, is an interactive visualization focused on <span style="font-weight: bold;" class="mycode_b">geometric transformations</span>. It uses a staircase-style construction to illustrate how geometric objects can move simultaneously in opposite directions, helping learners explore ideas such as translation, symmetry, relative motion, and the relationships between corresponding positions. By manipulating the interactive elements, students can observe dynamically how transformations affect a figure, making abstract geometric concepts easier to understand through experimentation and visual reasoning. <br />
<br />
<a href="https://www.geogebra.org/m/veysvc5e" target="_blank" rel="noopener" class="mycode_url">VISUAL</a>]]></content:encoded>
		</item>
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			<title><![CDATA[Mirrored Nested Wave Circles]]></title>
			<link>https://mklab.gr/showthread.php?tid=1736</link>
			<pubDate>Fri, 28 Aug 2026 17:10:46 +0300</pubDate>
			<dc:creator><![CDATA[<a href="https://mklab.gr/member.php?action=profile&uid=1">mklabgr</a>]]></dc:creator>
			<guid isPermaLink="false">https://mklab.gr/showthread.php?tid=1736</guid>
			<description><![CDATA[More specifically, it shows four circular motifs of decreasing size, alternating <span style="font-weight: bold;" class="mycode_b">blue and teal</span>, with nested flowing curves inside each circle. The curves are darker and broader near the lower areas and become finer, lighter, and more thread-like toward the upper-left. The entire row is then <span style="font-weight: bold;" class="mycode_b">mirrored across a horizontal line</span>, producing the reflection underneath.<br />
It has a <span style="font-weight: bold;" class="mycode_b">fractal-like / recursive</span> appearance because the same motif repeats at smaller scales, but it is not necessarily a mathematical fractal in the strict sense.<br />
<br />
<a href="https://www.desmos.com/calculator/qbaof4mbkc" target="_blank" rel="noopener" class="mycode_url">VISUAL</a>]]></description>
			<content:encoded><![CDATA[More specifically, it shows four circular motifs of decreasing size, alternating <span style="font-weight: bold;" class="mycode_b">blue and teal</span>, with nested flowing curves inside each circle. The curves are darker and broader near the lower areas and become finer, lighter, and more thread-like toward the upper-left. The entire row is then <span style="font-weight: bold;" class="mycode_b">mirrored across a horizontal line</span>, producing the reflection underneath.<br />
It has a <span style="font-weight: bold;" class="mycode_b">fractal-like / recursive</span> appearance because the same motif repeats at smaller scales, but it is not necessarily a mathematical fractal in the strict sense.<br />
<br />
<a href="https://www.desmos.com/calculator/qbaof4mbkc" target="_blank" rel="noopener" class="mycode_url">VISUAL</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Mathematics as a Creative Art [Halmos]]]></title>
			<link>https://mklab.gr/showthread.php?tid=992</link>
			<pubDate>Thu, 09 Jul 2026 01:10:04 +0300</pubDate>
			<dc:creator><![CDATA[<a href="https://mklab.gr/member.php?action=profile&uid=1">mklabgr</a>]]></dc:creator>
			<guid isPermaLink="false">https://mklab.gr/showthread.php?tid=992</guid>
			<description><![CDATA[<span style="font-weight: bold;" class="mycode_b">Mathematics as a Creative Art </span><br />
<span style="font-weight: bold;" class="mycode_b">BY [Paul Halmos]</span><br />
<br />
<span style="font-weight: bold;" class="mycode_b">Summary</span><br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="color: #1f1f1f;" class="mycode_color"><span style="font-family: 'Google Sans Text', sans-serif;" class="mycode_font">In his famous lecture, mathematician Paul Halmos explores the misunderstood world of mathematics, drawing a sharp distinction between the practical application of mathematical tools and the deeply imaginative nature of pure mathematical discovery. He introduces the concepts of "mathophysics"—the calculation-based, applied mathematics utilized by scientists and engineers—and "mathology," which represents pure mathematics. </span></span></span><br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="color: #1f1f1f;" class="mycode_color"><span style="font-family: 'Google Sans Text', sans-serif;" class="mycode_font">Halmos argues that pure mathematics is essentially a creative art form rather than a factual science. It is not a matter of rapid computation or number crunching; instead, mathematicians act like artists or architects, utilizing abstract thought and logical analysis to uncover elegant, universal truths. They form intuitive leaps, execute thought experiments, and navigate countless failed attempts long before structured, deductive reasoning is ever committed to paper.</span></span></span><br />
<span style="font-weight: bold;" class="mycode_b"><span style="color: #1f1f1f;" class="mycode_color"><span style="font-family: 'Google Sans Text', sans-serif;" class="mycode_font"><br />
The true beauty of this discipline lies in its rigorous pursuit of structural harmony and conceptual simplicity. Rather than acting as a rigid, formulaic science, advanced mathematical study functions as a collaborative yet deeply individual creative endeavor where insight and elegance take precedence over rote memorization. Understanding this distinction reshapes how we view human intellect, highlighting that mathematics is fundamentally a vibrant expression of the creative spirit rather than a simple tool for everyday calculation.</span></span></span><br />
<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="color: #1f1f1f;" class="mycode_color"><span style="font-family: 'Google Sans Text', sans-serif;" class="mycode_font"><a href="https://mathshistory.st-andrews.ac.uk/Extras/Creative_art/" target="_blank" rel="noopener" class="mycode_url">ARTICLE</a></span></span></span>]]></description>
			<content:encoded><![CDATA[<span style="font-weight: bold;" class="mycode_b">Mathematics as a Creative Art </span><br />
<span style="font-weight: bold;" class="mycode_b">BY [Paul Halmos]</span><br />
<br />
<span style="font-weight: bold;" class="mycode_b">Summary</span><br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="color: #1f1f1f;" class="mycode_color"><span style="font-family: 'Google Sans Text', sans-serif;" class="mycode_font">In his famous lecture, mathematician Paul Halmos explores the misunderstood world of mathematics, drawing a sharp distinction between the practical application of mathematical tools and the deeply imaginative nature of pure mathematical discovery. He introduces the concepts of "mathophysics"—the calculation-based, applied mathematics utilized by scientists and engineers—and "mathology," which represents pure mathematics. </span></span></span><br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="color: #1f1f1f;" class="mycode_color"><span style="font-family: 'Google Sans Text', sans-serif;" class="mycode_font">Halmos argues that pure mathematics is essentially a creative art form rather than a factual science. It is not a matter of rapid computation or number crunching; instead, mathematicians act like artists or architects, utilizing abstract thought and logical analysis to uncover elegant, universal truths. They form intuitive leaps, execute thought experiments, and navigate countless failed attempts long before structured, deductive reasoning is ever committed to paper.</span></span></span><br />
<span style="font-weight: bold;" class="mycode_b"><span style="color: #1f1f1f;" class="mycode_color"><span style="font-family: 'Google Sans Text', sans-serif;" class="mycode_font"><br />
The true beauty of this discipline lies in its rigorous pursuit of structural harmony and conceptual simplicity. Rather than acting as a rigid, formulaic science, advanced mathematical study functions as a collaborative yet deeply individual creative endeavor where insight and elegance take precedence over rote memorization. Understanding this distinction reshapes how we view human intellect, highlighting that mathematics is fundamentally a vibrant expression of the creative spirit rather than a simple tool for everyday calculation.</span></span></span><br />
<br />
<br />
<span style="font-weight: bold;" class="mycode_b"><span style="color: #1f1f1f;" class="mycode_color"><span style="font-family: 'Google Sans Text', sans-serif;" class="mycode_font"><a href="https://mathshistory.st-andrews.ac.uk/Extras/Creative_art/" target="_blank" rel="noopener" class="mycode_url">ARTICLE</a></span></span></span>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[The Brilliant M.C. Escher in 7 Pictures]]></title>
			<link>https://mklab.gr/showthread.php?tid=675</link>
			<pubDate>Tue, 23 Jun 2026 15:23:48 +0300</pubDate>
			<dc:creator><![CDATA[<a href="https://mklab.gr/member.php?action=profile&uid=1">mklabgr</a>]]></dc:creator>
			<guid isPermaLink="false">https://mklab.gr/showthread.php?tid=675</guid>
			<description><![CDATA[<div style="text-align: center;" class="mycode_align"><span style="font-weight: bold;" class="mycode_b"><img src="https://upload.wikimedia.org/wikipedia/en/8/8f/Escher%27s_Reptiles.jpg" loading="lazy"  width="300" height="300" alt="[Image: Escher%27s_Reptiles.jpg]" class="mycode_img" /></span></div>
<br />
<br />
<span style="font-weight: bold;" class="mycode_b">The Brilliant M.C. Escher in 7 Pictures</span><br />
<br />
<br />
<span style="font-weight: bold;" class="mycode_b">Summary</span><br />
<br />
M.C. Escher was a unique artist who showed that mathematics and art could exist together in a fascinating way. His drawings explored ideas like symmetry, infinity, impossible shapes, and unusual perspectives, creating worlds where stairs could go forever, objects could transform into something else, and two-dimensional images appeared three-dimensional. <br />
<br />
Works such as <span style="font-style: italic;" class="mycode_i">Reptiles</span>, <span style="font-style: italic;" class="mycode_i">Metamorphosis</span>, <span style="font-style: italic;" class="mycode_i">Circle Limit IV</span>, and <span style="font-style: italic;" class="mycode_i">Ascending and Descending</span> reveal his fascination with patterns, geometry, and the mysteries of space. Escher was not simply drawing mathematical figures; he used mathematical ideas to make people question what they saw and experience a sense of wonder. His art continues to inspire both artists and mathematicians because it turns abstract concepts into visual puzzles that challenge the imagination.<br />
<br />
<a href="https://themathsbook.wordpress.com/2015/03/20/the-brilliant-m-c-escher/#more-121" target="_blank" rel="noopener" class="mycode_url">ARTICLE</a>]]></description>
			<content:encoded><![CDATA[<div style="text-align: center;" class="mycode_align"><span style="font-weight: bold;" class="mycode_b"><img src="https://upload.wikimedia.org/wikipedia/en/8/8f/Escher%27s_Reptiles.jpg" loading="lazy"  width="300" height="300" alt="[Image: Escher%27s_Reptiles.jpg]" class="mycode_img" /></span></div>
<br />
<br />
<span style="font-weight: bold;" class="mycode_b">The Brilliant M.C. Escher in 7 Pictures</span><br />
<br />
<br />
<span style="font-weight: bold;" class="mycode_b">Summary</span><br />
<br />
M.C. Escher was a unique artist who showed that mathematics and art could exist together in a fascinating way. His drawings explored ideas like symmetry, infinity, impossible shapes, and unusual perspectives, creating worlds where stairs could go forever, objects could transform into something else, and two-dimensional images appeared three-dimensional. <br />
<br />
Works such as <span style="font-style: italic;" class="mycode_i">Reptiles</span>, <span style="font-style: italic;" class="mycode_i">Metamorphosis</span>, <span style="font-style: italic;" class="mycode_i">Circle Limit IV</span>, and <span style="font-style: italic;" class="mycode_i">Ascending and Descending</span> reveal his fascination with patterns, geometry, and the mysteries of space. Escher was not simply drawing mathematical figures; he used mathematical ideas to make people question what they saw and experience a sense of wonder. His art continues to inspire both artists and mathematicians because it turns abstract concepts into visual puzzles that challenge the imagination.<br />
<br />
<a href="https://themathsbook.wordpress.com/2015/03/20/the-brilliant-m-c-escher/#more-121" target="_blank" rel="noopener" class="mycode_url">ARTICLE</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Artist Hand-Draws 3D Optical Illusions [Taggart]]]></title>
			<link>https://mklab.gr/showthread.php?tid=664</link>
			<pubDate>Tue, 23 Jun 2026 14:09:32 +0300</pubDate>
			<dc:creator><![CDATA[<a href="https://mklab.gr/member.php?action=profile&uid=1">mklabgr</a>]]></dc:creator>
			<guid isPermaLink="false">https://mklab.gr/showthread.php?tid=664</guid>
			<description><![CDATA[<div style="text-align: center;" class="mycode_align"><span style="font-weight: bold;" class="mycode_b"><span style="color: #000000;" class="mycode_color"><span style="font-family: foglihtenregular;" class="mycode_font">Artist Hand-Draws 3D Optical Illusions</span></span></span></div>
<div style="text-align: left;" class="mycode_align"><span style="color: #000000;" class="mycode_color"><span style="font-family: foglihtenregular;" class="mycode_font"><span style="font-weight: bold;" class="mycode_b">By Emma Taggart<br />
<br />
Summary<br />
<br />
Los Angeles artist Katy Ann Gilmore beautifully blends mathematics and art to create hand-drawn optical illusions that appear to leap off walls and paper. Using only pens, markers, and carefully calculated patterns of straight and curved lines, she transforms flat surfaces into striking three-dimensional forms that challenge our perception of depth and space.<br />
<br />
 Drawing inspiration from mathematical formulas, graphs, topography, and geometric relationships between 2D and 3D space, her work demonstrates how logic and creativity can work together. The result is a collection of mesmerizing artworks that not only showcase technical precision but also invite viewers to experience the wonder of seeing ordinary lines evolve into dynamic, seemingly impossible structures. <br />
<br />
<a href="https://mymodernmet.com/math-art-line-drawing-katy-ann-gilmore/" target="_blank" rel="noopener" class="mycode_url">ARTICLE</a></span><br />
<br />
<br />
</span></span></div>]]></description>
			<content:encoded><![CDATA[<div style="text-align: center;" class="mycode_align"><span style="font-weight: bold;" class="mycode_b"><span style="color: #000000;" class="mycode_color"><span style="font-family: foglihtenregular;" class="mycode_font">Artist Hand-Draws 3D Optical Illusions</span></span></span></div>
<div style="text-align: left;" class="mycode_align"><span style="color: #000000;" class="mycode_color"><span style="font-family: foglihtenregular;" class="mycode_font"><span style="font-weight: bold;" class="mycode_b">By Emma Taggart<br />
<br />
Summary<br />
<br />
Los Angeles artist Katy Ann Gilmore beautifully blends mathematics and art to create hand-drawn optical illusions that appear to leap off walls and paper. Using only pens, markers, and carefully calculated patterns of straight and curved lines, she transforms flat surfaces into striking three-dimensional forms that challenge our perception of depth and space.<br />
<br />
 Drawing inspiration from mathematical formulas, graphs, topography, and geometric relationships between 2D and 3D space, her work demonstrates how logic and creativity can work together. The result is a collection of mesmerizing artworks that not only showcase technical precision but also invite viewers to experience the wonder of seeing ordinary lines evolve into dynamic, seemingly impossible structures. <br />
<br />
<a href="https://mymodernmet.com/math-art-line-drawing-katy-ann-gilmore/" target="_blank" rel="noopener" class="mycode_url">ARTICLE</a></span><br />
<br />
<br />
</span></span></div>]]></content:encoded>
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